Conveying Worldbuilding Without Exposition!

brynwrites:

image

(As requested by both an anon and @my-words-are-light​)

One of the hardest parts of writing speculative fiction is presenting readers with a world that’s interesting and different from our own in a way that’s both immersive and understandable at the same time. 

Thankfully, there are a few techniques that can help you present worldbuilding information to your readers in a natural way, as well as many tricks to tweaking the presentation until it’s just right.

Four basic techniques:

1. The ignorant character. 

By introducing a character who doesn’t know about the aspects of the world building you’re trying to convey, you can let the ignorant character voice the questions the reader naturally wants to ask. This is commonly seen in cases where the protagonist is brought into a new world, society, organization, etc, but non-PoV character put under the same circumstances can be equally useful.

It works best when the inclusion of the ignorant character feels natural. They must have a purpose in the story outside of simply asking questions.  

2. Conflicting opinions.

A fantastic way to convey detailed world building concepts is to have characters with conflicting viewpoints discuss or argue about them. Unless you’re working with a brainwashed society, every character should hold their own set of religious, political, and social beliefs. 

Examples of this kind of dialogue:

Keep reading

starshein:

Listen up. There is literally an app that can help you avoid self harm and I don’t know why we aren’t talking about it.

Calm Harm can be tailored to your needs and will provide strategies to help you get past those crucial moments of wanting to harm.

It’s also totally FREE.

once again, it’s called CALM HARM

On Describing Characters

lizard-is-writing:

Anonymous asked: “I’ve been writing in first person for my novel, but I’ve found I’m not sure how to describe the main character’s appearance.”

First person in particular can be a bit of a challenge when it comes to describing appearances. I think all the way around the trick of describing the way they look while looking into a mirror is a little tired and often hard to make it feel believable. The method I find most helpful is describing by comparison. 

Keep reading

fat bodies tutorial!

exclusively-art-reference:

butterflyperspective:

kenzandfriends:

ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

image

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them. 

the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character – except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.

the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft – and fat is very soft and pliable.

image

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man. 

image

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat – they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

image

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together. 

in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

image

here are a few extra tips i find a lot of people miss!

first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there

(i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.

the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.

in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue. 

lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

image

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!! 

so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!

EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!

Okay so I am literally about to cry.
I’m not an artist, but I love looking at art. And like. It makes me feel so worthless to see beautiful art with “fat” characters that are just extra curvey because I am so not that, and seeing only the sexy curvy drawings makes me feel like I am somehow the wrong kind of fat.
But this. This is so spot on. I have stretch marks and I have a double chin and I have like a fatty pouch in my pelvic area and my breasts are not perky and my thighs do not touch and just… All of it.
Seeing art of someone who looks like me makes me feel… Worthy. Some artist thought a body like mine was worth drawing, and that is so wonderful and validating and flattering. People enjoying said art is so good too. And like. Wow. I just want to cry.

This is a very good resource.
Take note, people: “I wasn’t trained to draw fat people” is not an excuse.

fuwaprince:

US Helplines:

  • Depression Hotline: 1-630-482-9696
  • Suicide Hotline: 1-800-784-8433
  • LifeLine: 1-800-273-8255
  • Trevor Project: 1-866-488-7386
  • Sexuality Support: 1-800-246-7743
  • Eating Disorders Hotline: 1-847-831-3438
  • Rape and Sexual Assault: 1-800-656-4673
  • Grief Support: 1-650-321-5272
  • Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000
  • Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253
  • Child Abuse: 1-800-422-4453

UK Helplines:

  • Samaritans (for any problem): 08457909090 e-mail jo@samaritans.org
  • Childline (for anyone under 18 with any problem): 08001111
  • Mind infoline (mental health information): 0300 123 3393 e-mail: info@mind.org.uk
  • Mind legal advice (for people who need mental-health related legal advice): 0300 466 6463 legal@mind.org.uk
  • b-eat eating disorder support: 0845 634 14 14 (only open Mon-Fri 10.30am-8.30pm and Saturday 1pm-4.30pm) e-mail: help@b-eat.co.uk
  • b-eat youthline (for under 25’s with eating disorders): 08456347650 (open Mon-Fri 4.30pm – 8.30pm, Saturday 1pm-4.30pm)
  • Cruse Bereavement Care: 08444779400 e-mail: helpline@cruse.org.uk
  • Frank (information and advice on drugs): 0800776600
  • Drinkline: 0800 9178282
  • Rape Crisis England & Wales: 0808 802 9999 1(open 2 – 2.30pm 7 – 9.30pm) e-mail info@rapecrisis.org.uk
  • Rape Crisis Scotland: 08088 01 03 02 every day, 6pm to midnight
  • India Self Harm Hotline: 00 08001006614
  • India Suicide Helpline: 022-27546669
  • Kids Help Phone (Canada): 1-800-668-6868

FREE 24/7 suicide hotlines:

  • Argentina: 54-0223-493-0430
  • Australia: 13-11-14
  • Austria: 01-713-3374
  • Barbados: 429-9999
  • Belgium: 106
  • Botswana: 391-1270
  • Brazil: 21-233-9191
  • China: 852-2382-0000
  • (Hong Kong: 2389-2222)
  • Costa Rica: 606-253-5439
  • Croatia: 01-4833-888
  • Cyprus: 357-77-77-72-67
  • Czech Republic: 222-580-697, 476-701-908
  • Denmark: 70-201-201
  • Egypt: 762-1602
  • Estonia: 6-558-088
  • Finland: 040-5032199
  • France: 01-45-39-4000
  • Germany: 0800-181-0721
  • Greece: 1018
  • Guatemala: 502-234-1239
  • Holland: 0900-0767
  • Honduras: 504-237-3623
  • Hungary: 06-80-820-111
  • Iceland: 44-0-8457-90-90-90
  • Israel: 09-8892333
  • Italy: 06-705-4444
  • Japan: 3-5286-9090
  • Latvia: 6722-2922, 2772-2292
  • Malaysia: 03-756-8144
  • (Singapore: 1-800-221-4444)
  • Mexico: 525-510-2550
  • Netherlands: 0900-0767
  • New Zealand: 4-473-9739
  • New Guinea: 675-326-0011
  • Nicaragua: 505-268-6171
  • Norway: 47-815-33-300
  • Philippines: 02-896-9191
  • Poland: 52-70-000
  • Portugal: 239-72-10-10
  • Russia: 8-20-222-82-10
  • Spain: 91-459-00-50
  • South Africa: 0861-322-322
  • South Korea: 2-715-8600
  • Sweden: 031-711-2400
  • Switzerland: 143
  • Taiwan: 0800-788-995
  • Thailand: 02-249-9977
  • Trinidad and Tobago: 868-645-2800
  • Ukraine: 0487-327715

(Source)

writers:

ela-loves-you:

themyscirahs:

ironinkpen:

  • break up your paragraphs. big paragraphs are scary, your readers will get scared
  • fuuuuck epithets. “the other man got up” “the taller woman sat down” “the blonde walked away” nahhh. call them by their names or rework the sentence. you can do so much better than this (exception: if the reader doesn’t know the character(s) you’re referring to yet, it’s a-okay to refer to them by an identifying trait)
  • blunette is not a thing
  • new speaker, new paragraph. please.
  • “said” is such a great word. use it. make sweet love to it. but don’t kill it
  • use “said” more than you use synonyms for it. that way the use of synonyms gets more exciting. getting a sudden description of how a character is saying something (screaming, mumbling, sighing) is more interesting that way.
  • if your summary says “I suck at summaries” or “story better than summary” you’re turning off the reader, my dude. your summary is supposed to be your hook. you gotta own it, just like you’re gonna own the story they’re about to read
  • follow long sentences w short ones and short ones w long ones. same goes for paragraphs
  • your writing is always better than you think it is. you just think it’s bad because the story’s always gonna be predicable to the one who’s writing it
  • i love u guys keep on trucking

yes!!!

This is just great advice generally. And has been taken on board by me!!

Slang Resources

legit-writing-tips:

Since I had an earlier ask about slang, I thought I’d pull together a few resources:

Historical Dictionary of American Slang – allows you to search by year

Slang Terms for Sex (And Related F*ckery) – Bow chicka wah wah

Medieval Slang Terms and Terminology – PDF File (Use these sparingly)

Shakespearean Slang and Sexual Language

Elizabethan Slang and Terminology

Victorian Slang Terms – Again, use sparingly

1700s UK Slang Terminology

Military Slang (Revolutionary War Era)

Slang From Colonial America

Civil War Era Slang

1920s Slang

Great Depression Era Slang

1940s Slang

1950s Slang

1960s Slang

1970s Slang

1980s Slang

1990s Slang

oprahsboob:

asian:

schrodingersconfusion:

asian:

Sometimes people bottle up their emotions or an experience because they have no one to turn to.

With Vent you can now rant your hearts out and relieve the stress that won’t go away! I know the app has helped me a lot and I want you guys to have the same resource, so I have the download link below to share with you. Let me know if you have any questions and I’ll help you out! c:

Apple iOS App

Android App

I’ve only had it for half an hour and it’s already helped me calm down a lot, it really helps.

I’m glad it helps! If you want to talk about it you can always send a message to my inbox 🙂 Sometimes I’m too occupied with school so you can turn to the app!

I highly recommend this app. I downloaded it last night and it is so helpful, and the people on it are very understanding and sweet. 

hasilith:

50%off1KLIKES24hours

hasilith:

roymbrog:

literal-ghost:

askoverlordfox:

armaturenine:

Introducing the new 2014.9 version of Armature Nine (A9)! Now available at www.armaturenine.com (complete sets if you scroll to the bottom of the page)

THE AWESOME armatures I keep fussing about on my FA. Go now my fellow artists! buy all the awesome! 

GOOD HEAVENS YES.

OMFG I NEED ONE NOOOOW

GO LIKE THEIR FACEBOOK PAGE! Once they hit 1k likes they are going to post a 50% discount!

Ok so they have posted a 24 hour code for 50% as of 4/8/15

50%off1KLIKES24hours

Go use it on their shop at www.armaturenine.com. the armatures are awesome! but a bit expensive which is why you want the code~! ❤