
NaNo Character Week: Character Personality, Arcs and Relationships Resources
NaNoPlanMo Resource Masterpost Navigation
Welcome to day fourteen of WC’s NaNoPlanMo! Today’s focus is on personality development, character arcs and character relationships!
Personality Development Through Character Traits
Creating Unique Characters from @lets-get-fictional
The 10 Elements of a Main Character from @thatkatiecooney
Design A Personality: Building Rock Solid Character Traits
Virtue and Vice Development Method from @writeworld
Character Trait Lists
36 Core Values for Building Character
Neutral Character Traits from @macklinassists
Another List of Character Traits
Character Arcs
K.M. Weiland: Writing Character Arcs
K.M. Weliand: Creating Stunning Character Arcs (Series)
How to Plot a Character Arc via @silvokrent
Why Character Arcs Make Readers Care
The Three Types of Character Arcs
Planning Character Arcs in a Nutshell
How to Figure Out Your Character’s Arc
Character Arcs and Motivations
Character Motivations: 7 Tips for Writing Better Portraits
How to Create Character Motivations
Motivate Your Characters Like a Pro
Six Emotional Motives for Your Characters
Inner Drives: What’s My Character’s Motivation?
Rethinking Motivation for Character Arcs
Character Relationships
Writing Healthy Couples in Fiction from @oliviapaigewrites
8 Secrets to Writing Strong Character Relationships
Character Relationships: 6 Tips for Crafting Real Connections
Why Character Relationships Make or Break Your Story
K.M. Weiland: What’s the Most Important Relationship in Your Story?
Writing Romance? Avoid These 5 Mistakes
Stop by tomorrow for the kickoff to Setting Week!
THANK YOU!! ❤
I’m always very bad in explaining what I’m doing. Cause there is just a lot of trying and painting over it and mashing and mixing colors until I feel it’s good.
So I tried to show you.
I hope this helps!
Random AU Idea Generator – Springhole.net
I opened my evernote to begin working on some intricate scene work, and look what I found!
Rape Escape
- Easy and very effective
- Requires nothing but your body
- Includes attack
Very useful to know, pass and share please.
Worth watching
I don’t mean to impose a personal favour on you guys, but I really would like to ask that everyone who follows me reblog this.
I don’t think I made it very clear but last month I was sexually assaulted by someone who I thought was my friend (I don’t want to talk about it don’t ask), and it’s… really fucked with my head.
Had I known this a month ago I would have been able to get away.
So, essentially, I’m really pleading with you to reblog this so everyone who follows you doesn’t get stuck in the same position I was with no way out.
I mean again I don’t want the point of this to be my sob story or whatever but if you could reblog this it would seriously mean a lot
and im asking to all of my followers who see this post in your dashboard to please press play to this video, you never know when this is gonna be
useful, PLEASE DON’T IGNORE IT.
This is one of the first moves I was taught in Krav Maga, and it is one of the most effective.
It took me about a half hour to get down with practice, but once you get it, it’s an intuitive movement.
Please pass this along, it will save lives.
Important
Please reblog this.
Please, if you see this, Reblog it.
If you see this, reblog please.
just-the-fics-maam’s tips for getting unstuck with your writing.
These ideas have helped me when I have gotten stuck. I hope they help you, too!
Cheat Sheets for Writing Body Language
We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.
You guys, this is such a great chart especially for budding writers. Sometimes it’s more effective to show a character being bored or excited or shocked without explicitly saying so.

1. Anyone who says “write what you know” either doesn’t know what they’re talking about or doesn’t know how to form a sentence. Know what you write. Do your research, but don’t think that just because you haven’t done your research yet doesn’t mean you’re not qualified to write about whatever you want. Don’t pigeonhole yourself. Pigeonholing sounds like a bad sex position, anyway.
2. Write badly. Write terribly, obnoxiously, fearlessly, write complete garbage, write melodrama, write too many details and extra scenes you’re going to have to cut later. Here’s a secret: Everyone’s first draft is shit. Yes, even Kerouac – have you read On the Road? Give yourself permission to suck. Write badly on purpose, but write badly in the way only you can write badly. Revision is for final drafts, not first drafts.
3. Semicolons are beautiful, but only if you actually know how to use them. Learn how to use them. Then use them. Don’t let your creative writing professor tell your that your poetry looks like an essay when you use actual punctuation; your creative writing professor is not you. Your creative writing professor doesn’t know what he’s talking about.
4. Except that your creative writing professor does know what he’s talking about. Listen to him. Learn from him. Write down all his advice in your notebook, but when it comes time to start writing – close the notebook.
5. Write every day.
6. But if you don’t write every day, don’t beat yourself up about it. Don’t beat yourself up, period. Self-loathing is antithetical to writing, unless you’re Gerard Manley Hopkins, but trust me, you don’t want to live the way Hopkins lived.
7. Stop thinking so damn much. Blare the music when you write; sit in a crowded coffee shop; drink; let yourself go. The first draft doesn’t want to be constrained; the first draft wants to be put on the page. The first draft wants a word count, not a rubric.
8. You’re always allowed to slam the door on someone who’s distracting you from your writing. Unless that person is a tax collector or your mother. Never slam a door on your mother unless she’s a drunk.
9. Everything has been done before. Get over it.
10. Love what you do. If you burn out, if you don’t love it anymore, either quit or find a way to love it again. Don’t do it for anyone else – no one’s paying you to be a writer. Pay yourself. Pay yourself in interesting characters and immersive plots and worlds you wish you could play around in. Give your writing to yourself. Treat it like a gift from you to you, because if you don’t love your final draft, no one else will, either.
So, because people writing inaccurate kid!fic bothers me, a quick reference to kids (Disclaimer: I have no professional background in child development, and no offspring of my own – this is all based on other people’s kids.):
Newborn: Person-larva. Cannot do much but eat, sleep, cuddle, cry, poop. Cannot hold their own head up. May pick up on the mood of the person holding them, but response to it is going to consists of either contentment or complaining. Those are pretty much the two states of a newborn: happily cuddly or expressing displeasure.
2 – 6 months: Somewhat more aware of surroundings, own appendages, etc. Will recognize people, like some better than others. Smiles, laughs, babbles. Somewhere in here rolling over commences, and possibly crawling. Starts teething.
6 -12 months: Lots of babbling, but no actual talking. Crawls, pulls self up to standing while holding onto things, may start wobbly independent walking. Some kids are climbers (may heaven help their parents). Eating some solid food (as in, mashed up stuff), but still nursing / drinking formula too. This is the beginning of the exploratory, everything-goes-in-the-mouth stage. Still teething.
1 year old: Has teeth, eats solid food. Many parents wean at this age, but it’s not unusual to continue breastfeeding. Talks, but probably not very clearly – pronunciation will be interesting, and vocabulary very limited. May repeat a new word incessantly. Points at things they want. Physical coordination and verbal skills increase as child gets older. Maybe develop utterly random phobias, usually of things that are new or unpredictable. Interested in other children, may mimic older children. Still sticks everything in their mouth.
2 years old: Speaks well enough to be understood by those who know them, but not necessarily strangers. Uses simple phrases. May mash words together to express a concept for which they don’t yet know the word, or make a word up. Is learning labels for things, though they may not be accurate (i.e. all old men are grandpa, all round objects are a ball, etc.) Knows colors, parts of the body, types of animals, etc. Walks, runs, dances, etc – basically the full range of physical stuff, just all of it is kinda awkward. Can roll a ball or throw it in a clumsy way. May have a favorite toy, security blanket, etc. May play pretend games or make up stories, but they’re likely to be fair inscrutable to adults. Wants to do things independently, but is likely to be easily frustrated. Has tantrums. Plays with other children, but not terribly good at sharing or being nice. Asks questions; the ‘why?’ stage has begun. Toilet training begins around this age; girls tend to get the hang of it quicker than boys.
3 years old – pretty much the same as 2, only a bit better at all of it. Asks a LOT of questions. Has friends. Plays pretend. Understands rules (though is unlikely to obey them very well). Can count, though not very far. Speaks well enough to be understood by strangers; you know that so-cute-you-could-die kid-speak people love to write? This is the appropriate age for it (up through about age 5).
4 to 5 – cutesy kid-speak is age appropriate. May still have tantrums, still not the best at sharing, but should be starting to get socially functional. Can throw or kick a ball, jump, stand on one foot, all that. Can count, recite alphabet. Some kids start learning to read and write arond this age, though it wouldn’t yet be abnormal for them not to be able to. Lots of pretend play. Emotionally intense; everything is dire. Learning to be self-maintaining, i.e. may bathe independently but needs an adult to wash their hair.
6 – 10 – speaks like an emotionally immature adult; the things they have to say are still kid-like, but they should be easing out of kid-speak. Reads, writes, can do math – these skills increase with age. Understands and (usually) obeys rules, has a concept of fairness, kindness vs. cruelty, etc. Forms tight friendships, keeps secrets, wants to fit in and be liked; having a best friend or a group of friends is the most important thing in their world. Wants to be good at things; has definite interests and academic strengths and weaknesses. May bully or be bullied; kids this age can be mean. As in horrifyingly so. Has crushes (though probably still finds it acutely embarrassing). Understands death. Kids this age will curse, though hilariously badly. Still wants parental affection, but probably not in public.
11 – 12 – mini-teen, which is to say emotionally vulnerable, short-sighted mini-adult. Naive still, but not terribly so – has a basic understanding of human nature, events around them, etc. Begins to form political / ideological / religious opinions. May begin reciprocal romantic attachments. Strongly focused on collective identity, what ‘niche’ or ‘crowd’ they identify with. Some girls start puberty. This is also the age of things going badly wrong; kids know which other kids are the sociopaths at this stage. While everybody else is learning how to not be a mean little shit to everybody unlike themselves (or a bitter perpetual victim), those few who aren’t developing in a good direction become downright terrifying.
13 – 15 – somewhere in here, kids will start either facing major adult-scale decisions and problems themselves, or seeing peers doing so. Shit gets real. This is why teenagers think they know everything; the rose-colored glasses of childhood fall off, and they are suddenly So Very Jaded and cannot imagine there being more to the world than what they can suddenly perceive now, because it is overwhelming. Likely to be angry at the world, likely to gravitate toward ideological extremes. Takes risks. Forms romantic attachments; may experiment sexually, may not, maturity levels here very A LOT.
16 – 21 – moody adult with far more curiosity than common sense. Does thing in grand and dramatic fashion. Experiments with different identities. Wants total independence. Many develop greater social maturity around this time; stop seeing others in terms of cliques, develop greater empathy and ability to see things from multiple perspectives. Forms romantic attachments that may be serious or even life-long.
This is pretty accurate IME, and if you want more detail for the first few years, try Touchpoints.
blocking an IP from visiting your tumblr
really useful, it’s an auto-redirect script that you can use to “block” someone from a certain IP from viewing your page!















