I’ve included a very comprehensive list, organized by the type of body movement, hand and arm movements, facial expressions etc. In some cases, a phrase fits more than one heading, so it may appear twice. Possible emotions are given after each BL phrase unless the emotion is indicated within the phrase. (They are underlined for emphasis, not due to a hyperlink.)
Note: I’ve included a few body postures and body conditions as they are non-verbal testimony to the character’s physical condition.
Have fun and generate your own ideas.:-)
Eyes, Brows and Forehead
arched a sly brow: sly, haughty
blinked owlishly: just waking, focusing, needs glasses
brows bumped together in a scowl: worried, disapproving, irritated
brows knitted in a frown: worried, disapproval, thoughtful
bug-eyed: surprised, fear, horror
cocky wink and confident smile: over confidence, arrogant, good humor, sexy humor
eyes burned with hatred: besides hatred this might suggest maniacal feelings
pupils dilated: interested, attraction to opposite sex, fear
raked her with freezing contempt
slammed his eyes shut: stunned, furious, pain
squinted in a furtive manner: fearful, sneaky
stared with cow eyes: surprised, disbelief, hopeful, lovestruck
subtle wink: sexy, humor/sharing a joke, sarcasm
unrelenting stare: distrust, demanding, high interest, unyielding
Place To Place, Stationary Or Posture
ambled away: relaxed, lazy
barged ahead: rude, hurried
battled his way through the melee: desperate, anger, alarm
cruised into the diner: easy-going, feeling dapper, confident
dawdled alongside the road: lazy, deliberate delay for motives, unhurried, relaxed
dragged his blanket in the dirt: sadness/depressed, weary
edged closer to him: sneaky, seeking comfort, seeking protection, seeking an audience
he stood straighter and straightened his tie: sudden interest, sexual attraction
held his crotch and danced a frantic jig: demonstrates physical condition – he has to pee
hips rolled and undulated: sexy walk, exaggerating for sex appeal
hovered over them with malice/like a threatening storm: here it’s malice, but one may hover for many reasons.
hunched over to look shorter: appear inconspicuous, ashamed of actions, ashamed of height
leaped into action feet hammering the marbled floor: eager, fear, joyous
long-legged strides: hurried, impatient
lumbered across: heavy steps of a big man in a hurry
minced her way up to him: timid, sneaky, insecure, dainty or pretense at dainty
paced/prowled the halls: worried, worried impatience, impatient, diligently seeking pivoted on his heel and took off: mistaken and changes direction, following orders, hurried, abrupt change of mind, angry retreat
plodded down the road: unhurried, burdened, reluctant
practiced sensual stroll: sexy, showing off
rammed her bare foot into her jeans: angry, rushed
rocked back and forth on his heels: thoughtful, impatiently waiting
sagged against the wall: exhausted, disappointment
sallied forth: confident, determined
sashayed her cute little fanny: confident, determined, angered and determined
shrank into the angry crowd: fear, insecure, seeking to elude
sketched a brief bow and assumed a regal pose: confident, mocking, snooty, arrogant skidded to an abrupt halt: change of heart, fear, surprise, shock
skulked on the edges of the crowd: sneaky, ashamed, timid
slithered through the door: sneaky, evil, bad intentions
stormed toward her, pulling up short when: anger with a sudden surprise
swaggered into the class room: over confident, proud, arrogant, conceited
tall erect posture: confidence, military bearing
toe tapped a staccato rhythm: impatience, irritation
tottered/staggered unsteadily then keeled over: drunk, drugged, aged, ill
waltzed across the floor: happy, blissful, exuberant, conceited, arrogant
Head Movement
cocked his head: curiosity, smart-alecky, wondering, thoughtful
cocked his head left and rolled his eyes to right corner of the ceiling: introspection
droop of his head: depressed, downcast, hiding true feelings
nodded vigorously: eager
tilted her head to one side while listening: extreme interest, possibly sexual interest
Mouth And Jaw
a lackluster smile: feigning cheerfulness
cigarette hung immobile in mouth: shock, lazy, uncaring, relaxed casualness
clinched his jaw at the sight: angered, worried, surprised
curled her lips with icy contempt
expelled her breath in a whose: relief, disappointment
gagged at the smell: disgust, distaste
gapped mouth stare: surprised, shock, disbelief
gritted his teeth: anger, irritation, holding back opinion
inhaled a sharp breath: surprise, shock, fear, horror
licked her lips: nervous, sexual attraction
lips primed: affronted, upset, insulted
lips pursed for a juicy kiss
lips pursed like she’d been chewing a lemon rind: dislike, angry, irritated, sarcasm
lips set in a grim line: sorrow, worried, fear of the worst
pursed her lips: perturbed, waiting for a kiss
scarfed down the last biscuit: physical hunger, greed
slack-mouthed: total shock, disbelief
slow and sexy smile: attraction, seductive, coy
smacked his lips: anticipation
smile congealed then melted into horror
smile dangled on the corner of his lips: cocky, sexy
smirked and tossed her hair over her shoulder: conceit, sarcasm, over confident
sneered and flicked lint off his suit: sarcasm, conceit
spewed water and spit: shock
stuck out her tongue: humor, sarcasm, teasing, childish
toothy smile: eagerness, hopeful
wary smile surfaced on her lips
Nose
nose wrinkled in distaste/at the aroma
nostrils flared: anger, sexual attraction
nose in the air: snooty, haughty
Face in General
crimson with fury
handed it over shame-faced
jutted his chin: confident, anger, forceful
managed a deadpan expression: expressionless
muscles in her face tightened: unsmiling, concealing emotions, anger, worried
rested his chin in his palm and looked thoughtful
rubbed a hand over his dark stubble: thoughtful, ashamed of his appearance
screwed up her face: anger, smiling, ready to cry, could almost be any emotion
sneered and flicked lint off his suit: conceit, derision, scorn
Arm and Hand
a vicious yank
arm curled around her waist, tugging her next to him: possessive, pride, protective
bit her lip and glanced away: shy, ashamed, insecure
brandished his fist: anger, threatening, ready to fight, confident, show of pride
clamped his fingers into tender flesh: anger, protective, wants to inflict pain
clenched his dirty little fists: stubborn, angry
clapped her hands on her hips, arms crooked like sugar bowel handles: anger, demanding, disbelief
constantly twirled her hair and tucked it behind her ear: attracted to the opposite sex, shy crossed his arms over his chest: waiting, impatient, putting a barrier
crushed the paper in his fist: anger, surrender, discard
dived into the food: hunger, eager, greedy
doffed his hat: polite gesture, mocking, teasing
doodled on the phone pad and tapped the air with her foot: bored, inattention, introspection
drummed her fingers on the desk: impatient, frustrated, bored
fanned her heated face with her hands: physically hot, embarrassed, indicating attraction
fiddled with his keys: nervous, bored
firm, palm to palm hand shake: confident, honest
flipped him the bird: sarcastic discard
forked his fingers through his hair for the third time: disquiet/consternation, worry, thoughtful
handed it over shame-faced: guilt, shame
held his crotch and danced a frantic jig: physical need to relieve himself
limp hand shake: lack of confidence, lack of enthusiasm
propped his elbow on his knee: relaxed, thoughtful
punched her pillow: restless, can’t sleep, angry
rested his chin in his palm: thoughful, worried
scratched his hairy belly and yawned: indolent, bored, lazy, relaxed, just waking
shoulders lifted in a shrug: doubtful, careless discard
slapped his face in front of God and country: enraged, affronted/insulted
snapped a sharp salute: respect, sarcastic gesture meaning the opposite of respect
snapped his fingers, expecting service: arrogant, lack of respect, self-centered
sneered and flicked lint off his suit
spread her arms wide: welcoming, joy, love
stabbed at the food: anger, hunger, determined
stood straighter and smoothed his tie: sudden interest, possible sexual interest
stuffed his hands in his pockets: self-conscious, throwing up a barrier
sweaty handshake: nervous, fearful
touched his arm several times while explaining: sign of attraction, flattery, possessive
wide sweep of his arms: welcoming, all inclusive gesture, horror
Sitting or Rising
collapsed in a stupor: exhausted, drunk, drugged, disbelief
enthroned himself at the desk: conceit, pronouncing or taking ownership
exploded out of the chair: shock, eager, anger, supreme joy
roosted on the porch rail like a cock on a hen house roof: claiming ownership, conceit, content
sat, squaring an ankle over one knee: relaxed and open
slouched/wilted in a chair and paid languid attention to: drowsy, lazy, depressed, disinterest, sad, totally relaxed, disrespectful
squirmed in his chair: ill at ease, nervous, needs the bathroom
Recline
flung himself into the bed: sad, depressed, exhausted, happy
be careful about your cleaning products and dont get yourself injured or potentially killed ok
why it so dangerous to be clean
As someone who’s job is to handle chemicals like this, I need to state that this information is IMPORTANT. Plenty of people have accidentally injured or killed themselves at home because they didn’t know what kind of reaction certain substances have with one another. Play it safe and don’t mix chemicals.
Also don’t use bleach to clean up urine it’ll create chloramine bc of the ammonia in it and you can give yourself chemical pnemonia that way
Every time I see “helpful” posts telling people to mix these things while cleaning I cringe with my entire body.
The other day I came across this awesome program by accident
(I don’t even remember what I was actually searching for, but on the several
times I’ve looked for a program like this I’ve had no luck). It’s cool enough that I wanted to share it.
It’s called DesignDoll (website here) and it’s a program that lets you shape and pose a human figure pretty much however you want.
There’s a trial version with no expiration date that can be
downloaded for free, as well as the “pro license” version priced at $79.
I’ve only had the free version for two days so far, so I’m not an expert and I
haven’t figured out all of the features yet, but I’ve got the basics down. The
website’s tutorials are actually pretty helpful for the basics, as well.
Here’s the page for download, which has a list of the
features available in both versions.
There are three features the free version doesn’t have:
Can’t save OBJ files for export
Can’t download models and poses from Doll
Atelier (a sharing site for users; note that the site is in Japanese, though)
It can’t load saved files
The third one means that if you make a pose, save it, and
close the program, you can’t load that
pose/modified model later. You have to start with the default model. I
found that out when I tried to load a file from the day before (this is why
reading is important…). Whether saving your modifications (and downloading models and poses) is worth $80 is up to you.
But, the default
model is pretty nice and honestly if all you’re looking for is a basic pose reference
it should work fairly well as it is. Here’s what it looks like:
There’s a pose tag
that lets you drag each joint into place and rotate body parts. The torso and
waist can be twisted separately, and it seems like everything pretty much
follows the range of movement it would have on an actual human.
Even the entire shoulder area is actually movable along with the joint! See, like how the scapular area of the back raises with the arm:
The morphing tag
is one of the coolest features, in my opinion. It lets you pick and choose from
a library of pre-set forms for the head, chest, arms, legs, etc. It has some more realistic body shapes in addition to more anime-like ones. Don’t like the
options there? Mix a few to get what you want! Each option has a slider that
lets you blend as much or as little as you want into the design.
So you, too, can create beautiful things like kawaii
Muscle-chan!!
The scale tag
lets you mess with the proportions and connection points of different joints. This
feature combined with the morphing feature not only allows more body shape
variations, but it also means that you can do things like make a more digitigrade
model if you want. (The feet only have an ankle joint, but for regular human poses that’s all that you really need, so whatever.)
Or you can make a weird chubby alien-like thing with giant
hands and balloon tiddies if that’s more your thing.
The ability to pose
hands to the extent it allows is far more than I could have hoped for from
a free program. Seriously, you can change the position of each finger joint individually, as well as how spread out the fingers are from each other. Each crease on the diagram below is a point of movement, and the circles are for spread between fingers.
And to make it a bit more convenient, there’s a library of pre-set hand poses you can pick from as well, and then change the pose from that if you like.
In both versions, you can also import OBJ files from other places for the model to hold, like if you wanted to have them hold a sword or something.
Basically, this program is awesome and free and you should
totally check it out if you want a good program for creating pose references.
I just wanted to add a little more to this. If you have trouble figuring out how light sources work in your drawings this also allows you to choose where to have a light source.
That shaded ball on the left is your light source. You can see how moving the point changed the shadow cast.
Oh and all those other nifty looking things in that bottom bar there, yeah it’s what you think. You can change the model color to one of these presets or even customize your own palette.
Plus for all you lovely people who want something a little more simplified to use as a pose reference
You can turn your model into the classic wire frame.
Why reblog this? Because for more visual creators, this will be like the lumberjack discovering chainsaws. “Reblog to save lives” as the saying goes.
I love swords. Love them. Swords are to fantasy as walls to a castle. You need your swords to battle dragons, usurpers, knights and wizards. So lets go into the armory and learn about swords.
Anatomy of a typical sword
Crossguard: This is the part of the sword between the hilt and blade. This protects the hand.
Blade: The sharp end, duh
Hilt: This is the part you hold. Also called a grip.
Pommel: the end of the sword attached to the hilt. This can be decorated as you like.
Fuller: this is a hollow running up the sword. Debates go on whether it is made to reduce suction or make blood run off quicker or to make the sword more dynamic.
Edge: the sharpened sides of the blade. Can be singular or double.
The point: The pointy bit at the top. Stick them into the person (jon snow logic)
Types of Swords
Claymore: This is the Scottish Gaelic version of the Great Sword. It is a heavy sword with a long reach
Longsword: Medieval and Renaissance weapon commonly used with with two hands.
Bastard sword: refers to a sword of an uncertain origin. It may be a cross between a long sword and a great sword.
Gladius: an ancient Roman blade used by gladiators and then legionaires. There is no crossguard. It is also called a shortsword. Made for stabbing rather than slashing.
Xiphos: double-edged, single-handed sword used by ancient greeks. The blade is commonly leaf shaped made for slashing.
Sabre or Rapier: This is a slender blade used by fencers. This blade might not be able to hack a head but its light weight makes the blade an asset in speed.
Katana: The Japanese samurai sword. This is single-edged and the blade os hammer thin. Made for speed and deadly sharp.
Scimitar: a curved blade with a singled edge.
Sword Moves
Advance – to attack, going forward.
Deflect – engaging sword with your own and pushing it away
Empty Fade – jumping backwards as if to retreat then attacking.
Front Guard – the sword is held in front of your face.
Full Iron Gate Guard – the sword is halfway between your legs, angled right.
Half Iron Gate Guard – the sword is held before your left leg.
Lunge – leaping forwards while feet are in the same stance.
Pass Back – moving your front foot into the rear position.
Pass Forward – moving your rear foot into the front position.
Shed – to allow a sword to slide away off your sword.
Short Guard – the hilt is at your hip and the point is forward.
Step Across – Rotating 180 degrees, crossing feet and spinning.
Tail Guard – the hilt is at your hip and the sword is behind you.
Two Horn Guard – pommel is at your chest with the sword pointing out.
Window Guard – a guard where the hilt is at your ear and the sword points forwards
Things to remember about swords
1. When drawing your sword, the scabbard is on your opposite hip.
2. If a sword is two-handed, use two hands. Don’t try be cool. You will cut yourself.
3. Swords are sharpened using a whetstone and polished with oil clothes. Water rusts them. Look after your swords.
4. Swords can stick to to scabbard if the air is icy. To prevent it, you can line your scabbard with leather.
5. Practise with a blunted sword first. Blunt swords are used in tourneys.
6. Defense over Attack. Better to defend rather than attack.
7. Shields are your friend in defence but hamper your ability to attack.
8. Sword to size. Smaller and weaker swordsmen(women) can’t any wield heavier swords. Bulkier and stronger swordsmen(women) can wield heavier swords. Match sword type to body type.
PETA: They’d rather spend their money on publicity campaigns than on the animals in their care. PETA killed 73.8% of the animals in their care in 2015 (x)
FCKH8: Is a for-profit company that exploits oppressed groups for money. They’re also wildly uninformed, and spread misogyny, cissexism and bi/panphobia, as well as stealing their posts/designs (x)
Autism Speaks: They spend most of their money on researching a way to eliminate autism, heighten the stigma against autism and don’t have a single autistic person on their board (x)
Please support other, better charities, and feel free to add any others you can think of to this.
Susan G. Komen for the Cure: CEO makes insane amounts of money, they deny a lot of requests for wigs/help with treatment/etc., and have attempted to sue other charities that use the color pink as part of their anti-breast cancer campaign. ( xxx )
The Salvation Army: They promote the hatred of LGBT+ people, work with fundamentalist Christian groups to support conservative politics and rip off and exploit workers. ( xxx )
Wounded Warrior: They take money that should be spent on veterans and blow it on huge opulent parties for the company bigwigs. 26 million in 2014 alone wasted! ( xxx )
^ Important reminder to NOT waste any money donating to these groups
Reblogging because of the added info about Wounded Warrior.
A good way to know if a nonprofit you’re donating to is allocating their money in the right way is to check out their Charity Navigator rating: http://www.charitynavigator.org
Signal boosting, the bell ringers are out in force, and this info is too important.
Before I get going, I’m 75% deaf, as some of you know, semi-reliant on hearing aids and lip reading. My first languages were Makaton sign and then BSL. I now use spoken English. This is part one of two. People are People covers characterization and toxic tropes.
There are a lot of issues I find with how deaf people are represented in books, when represented at all. I would love to see more deaf and hard of hearing characters in the books I read- without having to read books specifically about deaf/HoH people- but when I find them, they’re grossly undercharacterized or stereotyped. Authors write them in a way that sets signing language characters apart from speaking characters as if they are inferior, and this makes my blood boil.
Some technicalties
I’ll keep this brief.
You may have heard that “deaf” is a slur and you should use “hearing impaired”. Don’t. I’ve never met a deaf or hard of hearing person who believed that. Use deaf for people who are deaf, and Hard of Hearing (HoH) for people who lack hearing. These can be interchangeable depending on the person. This is why sensitivity readers are a useful part of the beta process.
Sign language is incredibly varied. It developes in the same way as spoken language. Fun fact: in BSL there are at least half a dozen ways to say bullshit, my favourite of which is laying your arms across one another with one hand making a bull’s head sign and the other hand going flat, like a cowpat. It’s beautifully crude, and the face makes the exclamation mark. Wonderful.
There are different sign languages. Knowing more than one would make a character multi or bi-lingual, even if they are non-speaking.
Makaton is basic sign language used by children, and it mirrors the very simple language used by toddlers.
Yes, we swear and talk shit about people around us in sign language sometimes, and no, it isn’t disrespectful to have signing characters do this. Just remember that we also say nice things, and random things, and talk about fandoms and TV shows and what we’re having for dinner, too.
Each signed language is different from another. ASL and BSL? Nothing alike. Just google the two different signs for horse.
Remember that sign language is a language, equal to the spoken word
Therefore, treat it as such. Use quotation speech marks and dialogue
tags. You only need to explicitly state that this character uses signed language once, and then let your modifiers and description do the rest.
It isn’t a form of “sub-speech" or “making hand actions”- sign language is a language all on its own: it has its own grammar rules, syntactical structures, punctuation, patterns, idioms and colloquialisms. For example, “what is your name?” becomes “Your name what?” with the facial expression forming punctuation in the same way that spoken English uses alterations of prosodic tone (inflections). There is even pidgin sign; a language phenomenon usually associated with spoken language.
In the same way that you would describe a spoken-English character’s tone of voice, you would describe a signed-English speaker’s facial expressions and the way that they sign- keeping in mind that these things are our language’s equivalent of verbal inflection.
So please, none of that use of “special speech marks” or italicised
speech for sign. If your viewpoint character doesn’t understand signed
speech, then you take the same approach that would be used for any other
language they don’t understand, like French or Thai. E.g “He said something
in rapid sign language, face wrinkling in obvious disgust.” is a good
way of conveying this. The proof that you’ve done this well is in whether or not you can switch “sign language” for French or something else, and it would read the same.
Don’t be afraid to describe how things are said, either.
Sign language is such a beautiful and expressive way of talking, and to
see a writer do it justice would be truly fabulous. Putting this into practise:
“Oh, I love maths!” She said, fingers sharp and wide with sarcasm. She raised her eyebrows.
“I’m sorry.” He replied and made his face small, but could not keep the grin forming. She was starting to laugh, too.
For the sake of readibility, I’m putting the rest of the information in part two.
This is part of my weekly advice theme. Each week I look at what you’ve asked me to help with, and write a post or series of posts for it. Next week: settings and character development (including heroes, anti-heroes, villains, and every other kind of character).
If you ever wanted to know how to properly do a 2d character turn, my friend max and I made a video showing you how to use the photoshop timeline to create a rotation of your characters. this can be applied to almost any type of character design. you can watch the full video here on our youtube page.
This is exactly the kind of stuff I’ve learned over the years in making turnarounds for both casual fun and full on animation productions. The video linked above is a really good introduction for people wanting to learn how to turn their characters in space for both reference purposes and for animation rigs too.
Thank you for making such a helpful guide! I love a good character turnaround.
Figment, the recently closed writing website, has just launched (after a long delay) their long-awaited successor to figment known as Underlined, where users can post their work and receive feedback, supposedly.
DO NOT USE UNDERLINED. DO NOT POST YOUR WORK ON UNDERLINED.
Underlined’s terms and conditions contains a clause stating that the rights to all your work that you post on their website belongs to them!!!!
Underlined belongs to Penguin Random House. This is an extremely dirty trick for them to play on writers, especially young writers and children, who come to the internet to get feedback and will lose the rights to their work. Please boost!!!
For my writing friends looking for an online writing community, DO NOT USE Underlined.
I went to confirm @greater-than-the-sword‘s post, because seriously publishers are still pulling this garbage? And yes, they are. If you want to check out the full terms and conditions, have at it. They are full of writers’ nightmares, a few of which I’ll highlight under the cut.
Rambles & Rabble 