– Here’s a quick guide to punctuating dialogue in your story, since quite a few of you have expressed confusion surrounding the subject. A question about this subject was asked by @sakurahiwatari and I decided to make it into its very own post. Happy grammar-ing!
New Speaker ~ When there is someone new speaking, start a new paragraph. Always.
Multiple Paragraphs Of Dialogue From One Speaker ~ Sometimes there are multiple paragraphs of dialogue without a pause from a single speaker, so to punctuate these paragraphs, end each one with a terminal mark before continuing onto the next. Start the next paragraph of continuing dialogue with a new quotation mark, but don’t add one to the end of the last to let the reader know the speaker isn’t finished, or they’ll assume it’s somebody else and get confused.
Paragraph With Multiple Lines Of Dialogue ~ Insert your dialogue tag of choice or description of action following the first sentence, then continue with what the current speaker is saying. There are exceptions, but this helps the reader keep track of who is saying what.
Names In Dialogue ~ If there is a name in a piece of dialogue, or a nickname for that matter, enclose it with punctuation. If it is at the beginning or end of a sentence, put a comma between it and the rest of the line. If it is in the middle, put a comma before and after it.
Elipses ~ Use this when a character trails off. Don’t overuse this though. It truly shouldn’t show up very often and get’s quite distracting to the reader’s own narration when it keeps popping up.
When The Speaker Is Interrupted ~ Use an em dash where the speaker is interrupted, then where they continue their line.
When The Speaker Is Cut Off ~ Use an em dash, then close the quotation. This is mostly used when the speaker is cut off right in the middle of a word, such as “help m—” or “enou—”.
Quote Inside Dialogue ~ When a speaker is quoting someone or something else, the part they’re quoting should be enclosed in single quotation marks (”He is weak. ’Stop it son, stop it!’ Right, not doing that.”). When the single quotation marks end or begin next to the double quotation marks, put a space between them.
Dialogue Stopped By Action Or Thought Instead Of Dialogue Tag ~ When dialogue is interrupted to describe what a character is doing or narrate what a character is thinking, you pause the dialogue without a terminal mark, enclose the action or thought between two em dashes, then continue. For instance: “You wanted a ring”—she played with the little loop on her finger—”but you never cared enough to ask for one.” This rule applies to narration interrupted by action or thought as well.
Questions In Dialogue With A Dialogue Tag ~ The question mark is enclosed in the quotation, the dialogue tag is not capitalized because it is part of the same sentence.
Dialogue Interrupted By Dialogue Tag ~ Commas go at the end of the first quotation and at the end of the dialogue tag. This applies to splitting the dialogue into two sentences, but the dialogue tag would end with a period and the second sentence would begin with a capital letter.
One Line With A Dialogue Tag And Action ~ Dialogue is within quotation, tag follows and is separated from the action by a comma. This is also the case when the action and dialogue tag come before the dialogue, but the dialogue tag is always between the action and dialogue.
When A Dialogue Tag Is Before The Dialogue ~ A comma is put outside the quotation, between it and the tag.
Dialogue Tag After Dialogue ~ Line ends with a comma, then quotation mark, then dialogue tag, uncapitalized. This is because it is all one sentence.
Single Line Of Dialogue, No Tag Or Action ~ Line ended with terminal mark inside of quotations.
Direct & Indirect Dialogue ~ Direct dialogue is when someone is speaking, indirect dialogue is when someone is described as saying something. Indirect dialogue doesn’t require quotation marks, and an example would be: She told him that she was sorry.
If you want to learn more and get more detail about punctuation in dialogue, here is a helpful article where I got a lot of my information.
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Okay so I just got off the phone with them. I talked to a trans girl named Aurora & she was super helpful! She gave me a few doctors to talk to & encouraged me to seek therapy instead of just rushing to get my pills. She literally found a trans friendly therapist in my town & I would definitely recommend giving them a call!
A mood board is a collage of images, text, colors, or materials. that are used to “to evoke or project a particular style or concept”. Basically, it helps set the “mood” for whatever you are working on. Mood boards are often used by interior decorators and artists but can also be used for writing. I love creating mood boards for each of my characters. It helps me get a a feel for the character I am writing. For example, one of my characters is an elven swordswoman. For her mood board I used images of trees, flowers, decorative swords, and artwork of elves. It really helps when I’m trying to write from her perspective.
To create a mood board, simply find images or text that remind you of your OC. I use google images or even pinterest to find images. Its easy and fun.
2. Take Quizzes for Your Characters
Okay, this may seem a little silly but it totally works. Take a quiz from your characters point of view. Select the answers you think your character would select. I personally like doing this with personality quizzes such as the Myers Briggs tests because I can use the results as a foundation for my characters personality. It’s fun, effective, and actually productive.
3. Create Playlists
I listen to music a lot because it gets my creative juices flowing. So, if I find myself stuck on a particular character, I make a playlist of songs that remind me of that character. I actually like doing this before I start working on a character so I can listen to it while working on them. It sets the mood and gives you better results. Give it a try.
4. Study Some of Your Favorite Characters
Sit down, take out a notebook, and start taking notes on some of your favorite characters from literature, TV, or movies. What made you attracted to this character? What made you hate this character? What is your favorite thing about this character? Answering these questions will help see why you feel that way towards your favorite or least favorite fictional characters. Use your notes as a guideline on how to make readers either hate or love your OCs.
5. People Watch
Yeah, this sounds creepy but it is very effective. Go to the park, take a walk, or simply sit at the window and observe the people you see. Take notes on the little things that they do. Do they walk a certain way? Do they stand up straight or do they slouch? What quirks do they have? Do they drum their fingers while sitting? Do they tap their foot while waiting in line? Write down what you observe and you can apply the results to your characters. It will give your original characters a more realistic touch.
Realistic Stuttering: “Sorry, I uh… I didn’t mean- I didn’t mean to do that…”
When people stutter, they usually reword what they’re saying as they speak, and subconsciously insert “filler words” such as “uh, like, you know,” and etc.
*puts on speech therapist hat*
ACTUALLY! It depends on why they are stuttering.
A Nervous Stutter results in what is called Mazing, or rewording the sentence. That is the classic “I, um… well I… look it’s just that… so we…” that @hellishhues is talking about. When someone is mazing their words you’re seeing a form of Speech Apraxia where the brain is having trouble forming verbal speech. This can be brought on by brain damage, memory loss, anxiety, nerves, and several other things.
The root cause of a nervous stutter is a disconnect between the mouth and the brain.
With this you will also sometimes see the classic “S-s-s-sorry…” especially if the person has been training to speak clearly and is now at a point of fatigue or stress where they are not mentally capable of forming the words.
The other kind of stutter is a Physical Stutter, sometimes referred to as slurring, and another facet of Speech Apraxia. This stutter is caused when the muscles of the mouth, tongue, and throat are physically unable to form certain sounds. This is most often seen in the very young and victims of brain trauma.
Sounds are acquired at different ages, so a 2-year-old will probably not be able to clearly pronounce certain words (which is why toddler sound so off when they’re written with developed dialogue). These mis-pronunciations are sometimes referred to as lisping, but only if the sounds are run together. If the person starts and restarts the sound because they got it wrong, it can also sound like the classic sound stutter.
But it all depends on why the character is stuttering!
Do they have Speech Apraxia, Audio Processing Disorder, muscle dysfunction, or another medical reason to stutter? (1)
Are they stuttering because of anxiety, stress, or fatigue? (2)
Does the stutter stem from intoxication or blood loss? (3)
All of those will sound different!
1 – Will have mazing, repeated sound stutters, and be the classic stutter that annoys OP.
2 – This is where you’ll see the repetition stutter, mazing, rephrasing, and filler words.
3 – This is where you are more likely to see starts and stops and slurring of words.
My mum has apraxia and I just wanted to say that’s one of the most concise and clear ways I’ve seen it explained, thank you!
i’m seeing a lot of people reblogging suicide hotlines and this is just a reminder that this is a suicide help line that works like a text-based instant messenger for people who may need to talk to someone but have trouble/are uncomfortable making phone calls
Never don’t reblog this. There are so many people who have such bad anxiety about phone calls. This can save so many lives
Howard and Peggy travel to the future and meet the Avengers (Manip)
When Howard’s newest invention goes haywire in the middle of New York, both Peggy and Howard are thrown into the future. Peggy is surprised by how much she is loved. Howard is surprised by the opposite.
Rambles & Rabble 